Kimuraya Anpan from Ginza 4-chome Intersection: My Hands Got Sticky Before I Finished Eating It

Every time I come to Tokyo's Ginza, I can't help but stop at the 4-chome intersection. If you turn your back to the Wako clock tower and walk about ten paces toward Matsuya, there'…

Tokyo · Ginza Kimuraya

Every time I come to Tokyo's Ginza, I can't help but stop at the 4-chome intersection. If you turn your back to the Wako clock tower and walk about ten paces toward Matsuya, there's the building that is Kimuraya (木村家). The storefront isn't flashy, so first-time visitors often walk right past it. All there is is a cursive wooden signboard hanging inside the glass window—three characters, that's it. This time I stopped by twice, once in summer and once in winter.

First-floor shop of Ginza Kimuraya with cursive 'Kimuraya' signboard inside glass façade, summer-dressed customers selecting bread
Summer afternoon. The first-floor shop is wide open with customers constantly coming and going. The standing sign on the lower right advertises 'Momo Parfait' (peach parfait).

When I went in summer, the parfait sign was displayed in front of the shop. It's a second-floor café menu with a price in the 1,600 yen range. Since it's seasonal, there's no guarantee it's still available, so it's best to check in person. That day I didn't have time to go upstairs, so I just grabbed a bun from the first floor and left.

I Stood Deliberating at the Display Case and Got Bumped Back Three Times

The first-floor shop layout is a bit unusual. Rather than having bread on trays as in typical bakeries, wooden boxes with glass covers are lined up on the counter with a staff member in a happi apron standing behind. When a customer orders, the staff picks it up with tongs and wraps it in paper. In other words, you need to decide what you want before getting in line. I couldn't make up my mind and ended up letting the person behind me go ahead a couple of times.

Round anpan in wooden boxes with staff member in indigo happi behind counter, wooden price plaques and ukiyo-e prints on wall
Each wooden box on the counter contains a different variety. The wooden plaques on the wall serve as both a menu and price list.

Reading the wooden plaques on the wall vertically, there are quite a few varieties: Sakura (桜), Ogura (小倉), Shiro (白), Uguisu (うぐいす), Keshi (けし), Cream, Cheese Cream, Coffee, Kuri (栗), Shio Lemon (塩レモン), Konatsu Mikan (小夏みかん), and Jam. The prices are written in kanji numerals on each plaque, mostly in the 200 yen range. Since prices vary by type and change, it's best to check the exact prices in person.

There was a separate pink sign in front of the sakura anpan. It features salted cherry blossom petals pressed into the center, and the sign notes its history of being presented to the Emperor during the Meiji period. Tourists tend to pick the sakura and ogura varieties most.

The Bread Itself Is More Subdued Than Expected

I went back in winter. It was the same place but with a very different impression. Winter afternoon sunlight streamed directly onto the wooden signboard, making the characters stand out in white, and a temporary stand made of stacked wooden boxes had been set up in front of the shop. The backs of customers sitting by the second-floor windows were clearly visible from outside.

Winter exterior of Kimuraya with sunlit cursive wooden signboard, 'GINZA KIMURAYA' text and stacked wooden box outdoor stand visible
'GINZA KIMURAYA' is faintly engraved on the canopy just below the signboard. Many people pass without noticing it.

The bread in my hand was smaller than expected. It fit perfectly in my palm, with a smooth dough that had a slight dusting of white powder on the surface. Unlike typical Japanese red bean buns with their glossy brown baked finish, this was a lighter color. Though it comes wrapped in paper, the thin wrapper lets the heat escape quickly.

Wrapped round anpan held in hand with Kimuraya wooden signboard in background
A quick photo in front of the shop. That's about how big it is.

As soon as I bit into it, red bean paste and white cream came out together. The beans were still whole and barely sweet. The cream softened at room temperature, and from the second bite it started oozing out the sides of the dough. While eating standing up, my fingers got sticky, and without tissues it was a bit awkward. If you buy in summer, this is almost guaranteed to happen. Folding the bakery paper bag to use as a holder was the best workaround.

Cross-section of bitten anpan showing whole red beans and white cream leaking from dough
Cross-section. With both red bean paste and cream inside, it leaks easily.

The flavor isn't bold. If you come expecting something flashy, some might find it bland. There's a very faint sake-like aroma from the dough, because it uses 'sakedzane' (酒種) dough fermented with rice koji instead of yeast. The wall plaques also note '酒種' for each variety. If that aroma appeals to you, it stays with you, but if not, it's just a mild red bean bun.

You Can't Miss the Location

If you can't find Kimuraya, start by finding the Wako clock tower. It's the stone building that curves along the corner of the Ginza 4-chome intersection, with a Seiko clock at the top. When you emerge at street level from Tokyo Metro Ginza Station, it's right in front of you, and if you stand with your back to the clock tower, the Kimuraya sign is within a one-minute walk.

Wako building at Ginza 4-chome intersection on clear day with Mitsukoshi Ginza and Matsuya Ginza signs to right
Early morning at the 4-chome intersection. The red sign on the right is Mitsukoshi Ginza.

Come on a Sunday afternoon and Chuo-dori becomes a pedestrian paradise. A '歩行者天国実施中' (Pedestrian Paradise in Effect) sign is placed in the middle of the road, and people stand right in the street taking photos. This is the best time to photograph the clock tower head-on. But it's also the most crowded.

Winter evening scene of people standing on Ginza intersection road with pedestrian paradise sign, looking at Wako clock tower
During pedestrian paradise hours. The blue sign reads '歩行者天国実施中' (Pedestrian Paradise in Effect).

Standing in the same spot on a rainy day felt completely different. When the sky is gray, the stone building's texture becomes more distinct. People with umbrellas crossing the crosswalk actually felt more in character for this neighborhood.

Wako building and Ginza crosswalk with people on overcast day, Mikimoto and Yamano musical instruments building visible to right
The 4-chome on a cloudy day. The outdoor advertisement on the building to the right features a photo of anpan.
Close-up of Seiko clock tower against gray sky, SEIKO text visible below clock face
Close-up of just the clock tower. It chimes on the hour.

Good to Know Before You Go

I stood at the intersection for about ten minutes, ate one bun, and moved on. Considering how little you can buy for this price in Ginza, that one 200-yen-range bun might have been the most honest purchase in this neighborhood.

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