Two Pieces of Chu-Toro at Tokyo's Tsukiji Tamasuhi: A 4,000 Yen Midday Record

When choosing a sushi restaurant in Tokyo, I always wrestle with the same question. Do I sit at the counter and spend 20,000 yen for omakase, or do I settle for a decent spot in th…

Tokyo · Tsukiji Tamasushi

When choosing a sushi restaurant in Tokyo, I always wrestle with the same question. Do I sit at the counter and spend 20,000 yen for omakase, or do I settle for a decent spot in the 3,000-yen range? This time, I chose the latter, which is why I ended up at Tsukiji Tamasuhi (築地玉寿司). Despite its Tsukiji name, this restaurant has multiple locations throughout Tokyo, and the one where I sat was in the Shinjuku area. The map pin points there too. If you're reading this with plans to walk all the way to the Tsukiji Outer Market alley, check which branch first.

Five Minutes in Front of the Entrance Menu Board

Three light boxes with menus hang in front of the restaurant door—that distinctive Japanese restaurant signage where photos look exactly twenty percent more appetizing than the real thing. I spent some time here deliberating. The popular lunch specials listed were 七福にぎり (Shichifuku Nigiri) at 2,700 yen and 築地特撰にぎり (Tsukiji Tokusen Nigiri) at 3,500 yen. Both came with broth, chawanmushi, and pre-meal vinegar appetizer. On a separate easel to the left, the lunch-only 築地海鮮ばらちらし was 2,000 yen.

The crucial detail was the +税 next to the prices. Everything was tax-excluded, so the actual bill would be ten percent higher. That 3,500-yen set becomes 3,850 yen. If you just scan a Japanese restaurant's menu with your eyes and budget accordingly, you get a slight shock at checkout. The larger menu board below listed sashimi platters (特撰刺盛 4,000 yen, おまかせ刺身盛 2,500 yen), sushi restaurant appetizers from 500 yen, rolls at 200 yen each, draft beer and highballs in the 500-yen range, and Yebisu bottled beer in the 700-yen range. The pricing meant you could add drinks without dramatically inflating the bill. The menu board's center read 「築地 大正十三年創業」—established in Taisho 13, or 1924.

Light box menu boards at the restaurant entrance showing 七福にぎり at 2,700 yen, 築地特撰にぎり at 3,500 yen, and on the left easel, 築地海鮮ばらちらし at 2,000 yen
Menu boards at the entrance. Be sure to check the '+税' note next to prices when budgeting.

Vintage Black-and-White Photos of Tsukiji Covering One Wall

Inside, one wall is densely covered with framed photographs. The frames vary in size and style, but the content is unified: old Tsukiji Market scenes. Tuna sides lying in rows on ice, brokers hunched over, assigning prices. The cast-iron framework of the auction house's arched roof. Heaps of shellfish piled on wooden boards. One silver frame holds just a few knives.

The ceiling light fixture is shaped like a sushi rice tub (hangiri). It's a wooden barrel with a copper rim, hung upside down exactly as is. I didn't notice it on first sitting; only after looking up did I realize—ah, that's a rice tub. The restaurant doesn't bother explaining such things. Sitting beneath these photos, you can't help but keep thinking about where the tuna you're eating came from and how it got here.

Vintage black-and-white framed photographs of the old Tsukiji Market covering the restaurant wall, with a wooden sushi rice tub-shaped ceiling light fixture
Tuna butchering, the auction house, piles of shellfish. Between the frames hangs a light shaped like a sushi rice tub.

How Two Pieces of Chu-Toro Are Served

My first order arrived as two pieces of tuna on a wooden geta (stand). Just two pieces, centered on a wide wooden board. Beside it sat a lidded chawanmushi cup on a bamboo rest, with a soy sauce dish and black chopsticks. The white space around the pieces made the plate look almost empty—yet it made the two pieces appear larger. The fish was indeed generously draped over the rice.

Two pieces of tuna nigiri on a wooden geta, with a lidded chawanmushi cup behind on a bamboo rest, soy sauce dish, and iced tea glass
First plate. Just two pieces on a spacious wooden board.

Looking closer, the grain of the flesh was visible. Red akami and white fat layers overlapped in diagonal lines, with pale pink fading at the edges. Chu-toro. The surface shimmered thinly with oil under the light. Placing one piece whole in my mouth, it started cold but began melting from the bottom before I even chewed. The rice was lukewarm and the vinegar assertive. This restaurant's shari emphasizes sourness over sweetness, likely to balance the rich toro.

Close-up of two pieces of tuna chu-toro nigiri on a wooden rest, showing clear grain of red meat and white fat layers
Red meat with white fat running diagonally through it. The surface glistens in the light.

Before finishing both pieces, I took another photo. In the background, six or so chawanmushi cups in the same pattern lined up in a row—each set came with one, for our whole party. Hot chawanmushi tastes best eaten first, before the sushi arrives. I fiddled with my camera and ended up eating mine lukewarm. Next time, I'll open the lid right away.

Table scene with two tuna nigiri pieces in the foreground and several matching chawanmushi cups lined up in the background
Chawanmushi cups lined up in the back. Best eaten while still hot.

One Plate of Assortment—with Sea Urchin and Cod Roe

The assortment that came with the set was arranged diagonally on an elongated dark brown ceramic plate. Starting from the lower left: what looked like belly toro, white fish (yellowtail or flatfish), red tuna, mackerel with its distinctive skin pattern like shimesaba, ruby-tinted marinated tuna, and boiled shrimp. Lower right: nori-wrapped cod roe, red shell clams, uni and ikura gunkan wrapped in nori, and one piece of anago.

Here the value of the set became apparent. Few 3,000-yen lunch sets include separate uni and ikura gunkan pieces. The uni grains held their shape, yielding sweetness rather than fishiness. My only disappointment was the mackerel—the vinegar marinade felt slight by my preference, and it balanced only once I added a touch of ginger. The ginger (gari) heaped at the right edge was generous.

Elongated dark brown plate with sushi assortment arranged diagonally: toro, white fish, mackerel, marinated tuna, boiled shrimp, cod roe, red clam, uni gunkan, ikura gunkan, and anago
Separate pieces of uni and ikura gunkan each. Ginger heaped generously on the right.

Fried Shrimp and Gratin Ordered at the Sushi Restaurant

Our party included someone uneasy about raw fish, so we added two side dishes. The fried shrimp arrived on a white square plate with a metal mesh beneath it, standing upright. The batter was thin and wispy—chopsticks picking it up dislodged crumbs. Arranging the tails upward seemed designed to prevent sogginess as it cooled. No salt was provided separately; we dipped it in the soy sauce from an adjacent dish.

Three fried shrimp standing upright on metal mesh on a white square plate, with sushi plate and iced tea visible in the background
Shrimp standing upright on the mesh. The batter clings thinly and wispy.

The seafood gratin I ordered second was an unexpected choice. It arrived in a ceramic bowl on a wooden rest, the cheese covering it completely and browned in patches, with a heap of aonori powder down the center. Steam rose from it. Spooning into it revealed squid and shrimp underneath. I wondered why I'd order this at a sushi restaurant, but the raw-fish-averse member of our party ended up clinging to this bowl. However, alternating with sushi made my mouth feel heavy. Better to eat them separately.

Seafood gratin in a ceramic bowl on a wooden rest, cheese browned in patches with aonori powder scattered in the center
Squid and shrimp emerge from beneath the cheese. Alternating with sushi gets cloying.

Tea and a Bottle with a Korean-Language Label

The agari (hot tea) at a sushi restaurant came in a thick ceramic cup, poured generously. A deep hojicha-type color that cleaned the palate after rich toro. While photographing the cup, I noticed Korean characters on a bottle standing behind it. A label reading 「유자 드레싱」 (yuzu dressing). Finding a Korean-language condiment label on a Japanese restaurant table isn't common, so I took a closer look. I never did ask what yuzu dressing had to do with sushi. I've made a note to ask next time.

Overhead shot of deep-colored tea in a thick ceramic cup, with a bottle labeled 유자 드레싱 in Korean visible in the background
Korean '유자 드레싱' label visible behind the tea cup.

Location and Practical Information

The branch where I sat is marked on the map below. It's within walking distance east of Shinjuku Station. Since Tamasuhi has multiple locations, searching for 「築地玉寿司 + branch name」prevents getting lost. Branches inside department stores or commercial complexes follow those buildings' hours, so if you're aiming for late evening, verify closing times separately.

Good things to know before visiting:

When you can't spare 20,000 yen for sushi in Tokyo, getting this caliber of plates in the 3,000-yen range while seated is where this restaurant's value lies. You miss the tension of a craftsman placing each piece in front of you at the counter. Instead, you sit beneath 1920s Tsukiji photographs, watch your table mates shovel in gratin, and leave satisfied and comfortable. That day, that was what I needed.

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