Beneath the Godzilla Head in Shinjuku Kabukicho, Grilling Beef Cutlet on Stone at Gyukatsu Motomura

Walking up from the east exit of Shinjuku Station, at some point you'll find your head tilting back without thinking. A Godzilla head opens its mouth from a building rooftop. It's…

Tokyo · Gyukatsu Motomura

Walking up from the east exit of Shinjuku Station, at some point you'll find your head tilting back without thinking. A Godzilla head opens its mouth from a building rooftop. It's the TOHO Cinemas building in Shinjuku Kabukicho, Tokyo, with Hotel Gracie above it. That evening, Gyukatsu Motomura (牛かつ もと村), where I headed, was tucked in an alley directly beneath that Godzilla head. If you came to see Godzilla and are looking for somewhere to eat, honestly, knowing this place alone is enough.

A Godzilla head sculpture mounted on a building rooftop under a blue sky at dusk, with a large Toy Story 4 poster below it, and a HOTEL sign on the right
Just after sunset. A Toy Story 4 poster was hanging beside the Godzilla head.

Using the Godzilla Head as Your Compass So You Don't Get Lost

The Kabukicho alleys have signs stacked vertically, so your sense of direction falls apart the first time you visit. On my first visit, I walked around the same block twice. That's when I started using the Godzilla head as a reference point. From any alley, look up and you'll see the head from some angle, and the direction where the head faces you directly is toward the TOHO Cinemas main entrance.

A cloudy daytime view of Kabukicho street. A Godzilla head and large Deadpool poster atop a building, TOHO CINEMAS sign, vertically stacked Japanese shop signs, and pedestrians walking by
The same spot in daytime. On the vertical sign pole on the right, restaurants are packed floor by floor from the 3rd to 9th floors.

The impression is completely different day and night. During the day, movie posters on the gray building catch your eye, but at night when the lights come on, the Godzilla turns purple. Looking up close at night, each tooth is lit from within, and orange lights are set in its eyes. People stop to take photos here, occasionally blocking the sidewalk.

Close-up of the Godzilla head sculpture lit by purple lighting at night. The teeth inside its open mouth are lit from within, its eyes glow orange, and Shinjuku's high-rise nightscape glows in the background
Godzilla up close at night. They even made concrete rock sets.

A Menu Stand Stands Beside the Noren

The shop entrance is unassuming. A cream-colored noren with 牛かつ written in calligraphy, with もと村 written small below it, and a red seal stamp beside. A menu stand stands in front. This is quite important. Don't go inside and deliberate over what to order—it's better to decide here in advance. This is a place with quick table turnover, so they'll take your order the moment you sit down.

The cream-colored noren at the entrance of Gyukatsu Motomura with 牛かつ もと村 written in calligraphy and a red seal stamp, with a photo menu stand in front
The entrance noren and menu stand. The red seal on the right also bears 牛かつ.

The menu is simple. A beef cutlet set at 130g for ¥1,300, or ¥1,400 with tororo (grated mountain yam). The double serving W beef cutlet set at 260g is ¥2,100, or ¥2,200 with tororo. An additional meat slice (130g) is ¥800. At the top, in a red border, it's stated in both Japanese and English: "Please order one set per person." It means two people can't split one order.

Photo of Gyukatsu Motomura's menu. Shows beef cutlet set ¥1,300, ¥1,400 with tororo, W beef cutlet set ¥2,100, ¥2,200 with tororo, additional meat ¥800, and photos of each dish
Menu at the time of visit. Prices may change, so please confirm on-site.

Beverages get their own page. Draft beer medium ¥500, large ¥800, highball ¥400, cola and orange juice ¥300 and ¥500 respectively. What stands out is that this beverage page also has Korean text. It speaks to how many Korean customers come here. That day too, two tables next to me were speaking Korean.

The Stone Plate Comes First — The Heart of This Place

When you order, the stone plate arrives before the meat. A black stone plate sits atop an iron stand, with solid fuel burning bright orange inside. When seated at the counter, this flame flickers close to your face. In summer, the heat is subtly oppressive. On the sides of the stand, white and red lettering remain as if handwritten, all bearing the marks of repeated charring from the flames—every piece of equipment shows the patina of long use.

A black rectangular stone plate atop an iron stand. Orange solid fuel flames burn through holes beneath the stand, with red and white lettering on the sides
A personal stone plate that arrives before the meat. You need to finish eating before the flame goes out.

While the stone plate heats up, the full set arrives. Thick-cut beef cutlet lies on a black lacquered plate, with julienned cabbage heaped beside it like a mountain. On the left, potato salad dressed in mayo and parsley; on the right, a dollop of wasabi. Miso soup with fried tofu comes in a separate red bowl. Rice is served with free refills.

A complete gyukatsu set served on a black plate. Thickly cut beef cutlet, a generous heap of julienned cabbage, potato salad with parsley, wasabi, and miso soup with fried tofu in a red bowl on the side
A complete gyukatsu set. The wasabi portion is generous.

Looking close, the breading is incredibly fine. Rather than coarse panko, it's coated thinly with finely crushed crumbs and fried, so the surface has a sandpapery texture but isn't thick. Only the edges of the cross-section are slightly cooked; the inside remains raw meat with a purplish hue. First-timers might think, "They want me to eat this raw?" But that's the house style here.

Close-up of gyukatsu breading. A cross-section of beef cutlet with finely crushed breading coating, with a heaping pile of julienned cabbage, parsley, and wasabi in the background
The breading is thin and fine. The inside of the cross-section is still raw meat.

It's All About the Seconds on the Stone

The moment you place meat on the stone plate, there's a sharp sizzle that ends quickly. It doesn't continue sizzling like in a pan. So if you just listen, you can't gauge the doneness. You have to watch the color of the cross-section with your eyes.

Three pieces of gyukatsu just placed on the black stone. The insides show bright pink raw meat with visible marbling
Just placed. The cross-section is still bright red with marbling clearly visible.

About fifteen seconds on one side, then flip and another fifteen on the other. The pink lightens, leaving only a red dot in the center. That's the level I preferred most. When you bite into it, the exterior breading shatters while the meat inside is still moist. On my first visit, I was nervous and cooked it all the way through—that was just well-fried beef cutlet. Once I reduced the cooking time, I understood why this place is famous.

Three pieces of gyukatsu cooked on both sides on the stone, with only a red dot remaining in the center. A blue solid fuel flame is visible below
Both sides cooked briefly. The moment when that red dot remains in the center is perfect.

How you eat it is a matter of preference. There are two sauce options, rock salt, and wasabi on the table, so I tried dipping each piece differently. Salt and wasabi combination was cleanest, though the sauce tasted one-note by the second piece. You need to keep eating cabbage in between. Even though 130g seems small, the meat is rich, so by the end it feels heavy.

A piece of cooked gyukatsu being picked up with wooden chopsticks. Two pieces still remain on the stone
Place one piece at a time, cook, and eat. If you put all of them on at once, the back will overcook.

Good to Know Before You Go

The Godzilla head gives you nothing more to see after one photo. But those thirty minutes in the alley below it, holding a stone plate and adjusting the doneness as you cook, stay in your memory quite a while. If you're wondering where to eat dinner in Shinjuku, this is the place I recommend first.

Read next